We spoke to Dark co-creators Baran bo Odar and Jantje Friese about saying farewell to the series, the spiritual and mythological influences they crammed into the third season's eight episodes, and how in the world they managed to keep everything straight. Baran bo Odar and Jantje Friese are absolute geniuses and have created an epic sci-fi story for smart people.they did not dumb it down at all even in the final season.the fact that this was an original idea and not based on a book etc gets them even more kudos.it's also obvious that they planned this entire story from the beginning and When you see them in life and flesh, they dont look that much alike. For a long time, even already in film school, we had this urge to change that, to really have characters from particular countries speak in their own voices, because language really defines character. Sign up here for our weekly Streamail newsletter to get streaming recommendations delivered straight to your inbox. Interview edited and condensed for clarity. So, but Im not going to tell you whether were going to or not.. You will never know the answer. Every step they are doing, they're doing one after the other. You know if something is urgent or not important. We always think we have to answer everything. Because Im a very traditional filmmaker; I like to give the actors a lot of space and not limit them by saying, We just have this angle. Honestly, the most difficult people to find were women [older than middle age]. When Jantje Frieseand her partner Baran bo Odar created their German-language science fiction series "Dark" for Netflix, they had no idea that it would become an international hit. We can see that even if you dont really understand what words are being spoken, you understand what the other person is trying to communicate. I love that theres so much fan fiction out there. Halle Bailey, Melissa McCarthy, and director Rob Marshall share the tale behind making their underwater musical with a groundbreaking Disney princess. For me, its a very happy ending, realizing its not just about you all of the time. "When we. Season 1 was tricky enough, but midway through the second season you may find yourself needing to construct a character yarn board on your wall to remember everything that's happened, who the various actors are depicting at various intervals along the timeline, and when any given scene is taking place. This interview has been edited for length and clarity. For instance, the ship's dining room, which is a pivotal set piece on the show, was not an actual physical room that they built. Even a camera is a tool for me, I love to play around with it, or with a lens. Netflix Unveils Latest Trailer For 'Dark' Creators' '1899' - Deadline Were going to see a bit more about grown Ulrich, she said. (!!!!). In a time where new genre television content feels rare and must be savored at all costs, one specific rabid fandom has a show to sell you on: Dark, Netflixs German time travel thriller from creators Baran bo Odar and Jantje Friese. So, you would have the English dialogue on the left side and then the translated dialogue for that character in their language on the right side. Do you view it as a happy ending? Dark Duo Jantje Friese and Baran bo Odar Add Volume to Their Process (Seriously, if someone can please step in and explain the Elisabeth / Charlotte Doppler effect, slide in right here.). . Do you have a huge board on the wall with red yarn linking up various elements? Because if you cannot express certain emotions through your language then theyre almost non-existent in that culture. It's really awkward for us, this huge success, we always question it. Sorry Dark fans, no time-travel wormholes here. I was so miserable because somehow youre really more prepared for failure then success I guess. Its really weird and interesting technology, but its very helpful for the actors. Back in 2020, Jantje Friese revealed in an interview that Tyll is planned as a six-part miniseries: "Tyll by Daniel Kehlmann is designed as a six-part mini-series. As with every character in Dark, when youre sure you know who the villain is or whos doing the bad thing, you should be open for what made them that way because. Then its really a lot of bouncing back and forth between the two of us at the beginning, throwing in random ideas in the beginning and trying to figure out what ideas actually stick. But were not going to solve every riddle because sometimes its funnier [that way]. How composer Ben Frost creates dream-like sound design. Its been quite a process getting to here. Odar adds, "But is it the right one? Jantje Friese and Baran bo Odar's latest mindbender 1899 has recently dropped on Netflix, and with it has come a swathe of comparisons to their previous endeavor, Dark.Even putting aside the duo . Odar: We always wanted to plant computer wording. Per the official synopsis, what they will find on board will turn their passage to the promised land into a horrifying nightmare. That was the big question. I always liked the idea that there are two components who are opponents, fighting each other all of the time, actually having to realize that they are not important. But were not afraid of putting bad ideas on the table, because sometimes theres something small in a bad idea thats actually good that you should use. We planted it everywhere, but no one saw it yet. To mirror the world we know, we could either do that by rebuilding all of the sets. Go Behind the Cutting-Edge Technology of 1899. Odar:We mirrored the image in the camera. We asked creators Jantje Friese and Baran bo Odar as many of those questions as we could. We have the 'triquetra' and stuff like that [a three-pointed knot shape from the Iron Age that was adapted to represent the Christian Trinity]. What we learned was that using the Volume studio, the mid-ground is everything. Its a new kind of thinking for filmmaking: You have to think in layers and how you combine those layers. Friese wouldnt drop any spoilers not even saying how Season 3 will differ from the first two cycles but gave a few clues as to the faces viewers can expect. Odar promises another "very interesting, weird theme" to 1899, but can't reveal what it is. bo OdarI think we learned a lot to be honest, because it is a new tool. So you didnt have to really change the way that youre shooting; you can do the shot and the reverse shot in one day, which was really helpful. Succession Reveals Logan Roys Successor: Who Is in Charge of Waystar Royco? And, in 1899, even spouses would have addressed each other in a formal way when in a public place. In other [projects] weve done before, we dont like to end on a dot. In every season there is what I always call a bridge episode, because to me its like the bridge in a song Friese said. Some of the stuff we decided that you kind of figure it out yourself. That was the initial plan. It definitely has a new look: Not like green screen but also not the same as a classic set, something very much its own thing. Creators Baran bo Odar Jantje Friese Stars Emily Beecham Aneurin Barnard Andreas Pietschmann See production, box office & company info Watch on Netflix S1 with subscription Add to Watchlist Netflix's Dark, the streaming service's first German-language original series, follows four families in a small town who become engaged, sometimes unwittingly, in a time-traveling battle between seemingly good and evil forces. Berlin, Germany - May 3rd, 2021 -- Today Netflix and DARK WAYS, the newly set-up production company helmed by Jantje Friese and Baran bo Odar, announced the start of production for their highly anticipated new Netflix original mystery-series 1899. You will have something very personal toward the story. It was really challenging for us in the third season to establish another world with maybe even other timelines, too. Your Burning Firefly Lane Questions Answered. Like letting go of some love affair.. 1899 Netflix TV Show Creators Interview - The Hollywood Reporter One reference we did not use, and not because we dont like the film, because we loved it when it came out, wasTitanic. I think thats awesome. You have to change the titles on them and mirror them. Our idea was always to do Greek tragedy below it even though its a sci-fi show, a mystery show, in its core, its really about human relationships and how fucked up they can be.. To achieve this, Odar says Friese initially wrote the scripts in English, and then writers and translators from all over the world advised on the parts that needed to be in other languages. There was something fascinating about exactly that moment in time. That [story] was already during development for Season 1. Baran bo Odar and Jantje Friese are pulling back the veil on their new puzzle box show. Narratives or stories are always about human behavior and human connection. For two or four weeks I was completely lost to the world.. bo Odar: It was a bit tricky at the beginning. We looked at all the characters and tried to find out whats really important, what we need to deliver.. Odar and Friese both speak English and German, with a smattering of Spanish (him) and French (her), but the scripts called for everything from English to Cantonese to Danish, and more. Even 24 frames per second, creating motion from still frames, thats the first illusion you create as a filmmaker. We could create a huge dining room only with the volume tech. It's all rooted in one core idea. This Article is related to: Television and tagged Baran bo Odar, Dark, Jantje Friese, Netflix. Lets look at them as music instruments. From Barbie to The Flash, Here Are the Movies That Made the Biggest Impact at CinemaCon. The success of that show enabled Odar and Friese to tell the story they wanted to tell over three mind-boggling seasons, and also provided a bit of a blessing and a curse when it came time to work on 1899. A key part of any ending is knowing the right cutoff point. Odar: I definitely view it as a happy ending, though you can also interpret it as a suicide mission, of course. the prospect of diving into another twisty metaverse from the minds of Dark creators Jantje Friese and Baran bo Odar likely comes with equal measures of excitement and trepidation. It should feel different, because you have this image of a big steamship going from Europe to America and immediately you think this must be the cube version ofTitanic. Studios, is getting another shot at an adaptation from Netflix. Its the same with Blade Runner, and how there are still people thinking Harrison Ford is not a replicant; where Im thinking, How can you think hes not a replicant? Thats the beauty of that story, that theres a question amrk. For example the room number 1011 is binary code. Sign up for our Email Newsletters here. In the development process we never thought of it as [just] a German show. '1899' First Interviews: Netflix & 'Dark' Creators - Deadline For answers to those questions and more, The Hollywood Reporter turned to Odar and Friese for a closer look at the final season of Dark. Friese laughed and added, "'For a short moment in time, you visited a parallel world where you actually had success!'". There are all of these images, and even in dialogue, hints that give it away. The passengers of the Kerberos encounter the biggest mystery of their lives. We wanted to have this beautiful mix of voices and languages." The entire script was in English, but everything was dual dialogue. In the present, hes now Jonas father, who coexists in the same time period with young Mikkel. Jock Zonfrillo, Chef and MasterChef Australia Judge, Dies at 46, Succession Star Reacts to That Kill List, Talks Golden Parachutes and Kendall Roys Ascension. We really try to be very true to our core audience, which just loves puzzles but also knows every code and every cultural reference. Make sure to check outEW's Fall TV Preview cover story as well as all of our2022 Fall TV Preview content, releasing over 22 days through Sept. 29. Jantje Friese and Baran bo Odar, who also created the streamer's hit 'Dark,' are back with another meta mystery, this time set on a migrant steamer at the turn of 19th century. "Because in their arc, the narrative is straightforward. The quote in the song from Emily Dickinsons poem, in the beginning, is really about experiencing all this weird shit going through your brain. "We worked on a database where every scene is broken down under certain circumstances. When you write, how do you plot things out? The two resulting timelines are more than just metaphorical reflections of each other. By the end of the second season, the timeline of Dark has become more of a time-web, with certain characters now able to hop back and forth through time without adhering to the 33-years rule, while other characters discover that certain people they meet are actually their own future selves. It always sounds to people like its easier to do a last season when you know where you going. The first season is actually very simple: Its a small town, with kids disappearing, and then theres some time travel events in the cave. When women turn 40, their career dies down unfortunately. We were doing research for something completely different, I actually dont even remember what the research was for. Were hinting at that in the first season all the time that its a circle. As we learn quickly in Season 3, the worlds are very similar but also slightly different, but time-travel is still in play and the other Martha and her world are still progressing toward the same world-shattering apocalypse that happened in Jonas' world. 1899 also has a unique sound because, fitting with the theme of Europe you were talking about, you decided to have all your actors speak in their native languages. "I think I personally read probably one hundred books or so over the course of the three seasons, and not only on the science stuff behind it, but also philosophical pieces, a lot of spiritual writing," Friese said.
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